• TUV CERTIFIED

    This product holds a TUV certification, which is a mark of quality and safety indicating that a product has been tested and meets specific standards set by TÜV Rheinland

     

  • 5 Stars

    $16,500.00
  • 5R Beam

    $1,000.00
  • TUV CERTIFIED

    This product holds a TUV certification, which is a mark of quality and safety indicating that a product has been tested and meets specific standards set by TÜV Rheinland

     

  • TUV CERTIFIED

    This product holds a TUV certification, which is a mark of quality and safety indicating that a product has been tested and meets specific standards set by TÜV Rheinland

     

  • TUV CERTIFIED

    This product holds a TUV certification, which is a mark of quality and safety indicating that a product has been tested and meets specific standards set by TÜV Rheinland

     

  • 8R Beam

    $1,199.00
  • Description
    The A 1360 accessory is an adapter designed for surface mount installation of the PL 60 ceiling speaker. It is made of plastic UL94 V0 with rear plate in metal, providing an excellent aesthetic and functional combination with the speaker.
    PART NUMBER:
    13320107
    A 1360
    EAN 8024530015794
  • Description
    The AC AD2405 adapter can be connected to several RCF products that need 24 V dc power supply. For instance, it can be used as power supply unit for the RCF BM 3003 paging microphone. This adapter can be connected to mains through continental European sockets only. The adapter have a LED on the plastic body that show the DC presence.
    PART NUMBER:
    14380022
    AC AD2405
    EAN 8024530007027
    Features
    • AC/DC Adapter designed to use with microphone console
    • Output Voltage 24 V
    • AC plug EU Type
    • 5 m connecting cable with DC Barrel Jack (a=5.5 ;b=2.1; c=11 mm )
    • Standard output cable UL2468
    • Safety Standard IEC/UL/EN 60950-1,CE, CB
    • EMC Standard (EN55022, CISPR22, FCC Part 15) Class B EN61000-3-2, 3, EN61000-4-2, 3, 4, 5, 6, 8, 11, EN55024
  • Active Sub Series

    $1,099.00$5,999.00
  • LED Light Source

    This fixture uses an LED as it's light source

    RGB LED Color

    This fixture utilizes full color RGB LED as it's main or secondary light source.

  • LED Light Source

    This fixture uses an LED as it's light source

    Warm White

    This fixture utilizes a Warm White LED as its main or secondary light source

  • ON-BOARD MICROPROCESSOR

    This fixture has an on-board microprocessor for optimal light functionality.

    WATER BASED

    This machine uses water-based fog fluid only.

  • ON-BOARD MICROPROCESSOR

    This fixture has an on-board microprocessor for optimal light functionality.

    WATER BASED

    This machine uses water-based fog fluid only.

  • TUV CERTIFIED

    This product holds a TUV certification, which is a mark of quality and safety indicating that a product has been tested and meets specific standards set by TÜV Rheinland

     

  • Whatever your I/O requirements, Allen & Heath offer a comprehensive range of I/O hardware for our digital systems - Qu, SQ, Avantis, dLive and AHM-64 - including dedicated solutions for Dante integration. Our expanding I/O range makes it easy to configure the perfect system for any application and with our 'Everything I/O' commitment, you'll see you can use our I/O products with more than one mixer series. For More Info: https://www.allen-heath.com/everything-io/
  • The Avantis is the third mixer based on our 96kHz XCVI FPGA engine. The Avantis puts all our next-generation technology in a 64 channel / 42 configurable bus console, with dual Full HD touchscreens, a super-flexible workflow with Continuity UI, extensive I/O options, add-on processing from our flagship dLive mixing system, and a rugged full metal chassis. The power of Avantis emanates from the XCVI Core – pioneered by the Allen & Heath R&D team using next generation FPGA technology, with parallel virtual processing cores generating enough power for 88×42 (including FX returns) channels of processing at 96kHz sampling rate. The massive power of XCVI (25 billion operations per second) allows Avantis to deliver 64 full processing inputs and 12 stereo FX returns, 42 bus with configurable mix architecture, variable bit depth for ultimate precision and noise performance, a virtually infinite mix headroom thanks to a 96bit accumulator, and class-leading latency at an ultra-low 0.7ms.
  • Cables

    Allen & Heath can provide the following cables.

    CAT5e

    • AH9997 2m cable with Neutrik EtherCon locking connectors.
    • AH8586 SHORT 0.35m Klotz cable for ACE network bridge link.

    CAT6

    • AH10887 100m drum of CAT6 cable with Neutrik EtherCon locking connectors.
    • AH10886 80m drum of CAT6 cable with Neutrik EtherCon locking connectors.
    • AH10885 50m drum of CAT6 cable with Neutrik EtherCon locking connectors.
    • AH10884 20M STP of CAT6 Cable with Neutrik Ehtercon locking connector.

    Fibre optic

    • AH10924 150m drum of X-Treme multimode fibre with Neutrik opticalCON Duo locking connectors.
     
     
  • Allen & Heath is pleased to offer the option of touring grade custom flightcases for all dLive Surfaces and Mixracks, built to the highest standards by our friends at 5 Star Cases. Please contact your dLive distributor for full details.
  • GR4 is a 1U rack-mounting or desktop audio mixer, providing simple yet comprehensive control of background music and paging in bars, restaurants, stores and other leisure / retail environments. Standout features include optional remote wallplates, a mic input on the front panel, plus a 3.5mm jack on the front for portable music sources. GR4-Front-Product_PageGR4-Rear-Product_Page  

    GR4 FEATURES

    Connectivity

    MIC INPUTS

    Four mic inputs on rear mount Phoenix connectors with MIC1 selectable to an optional front mounted XLR.

    LINE INPUTS

    Four stereo inputs on rear mount phono connectors. An additional front mounted 3.5mm jack socket overrides input 4 phono source.

    ZONE OUTPUTS

    Two stereo (mono selectable via internal jumper) zones on rear mount Phoenix connectors. An additional two mono zone outputs are available with mix output being selectable from internal jumpers.

    CONTROL

    Paging and Alarm contact inputs on rear mounted Phoenix connectors allow integration with 3rd party paging stations and fire alarm systems.

    REMOTE

    Remote control can be achieved via PL-14 Remote connected to the rear mounted RJ45 or custom/3rd party analogue remotes connected to the rear mounted Phoenix connectors.  

    PL-14 REMOTE CONTROL

    • Rotary Volume control with four source select switches. • Optional PL-5 IR remote control • Connection via standard Cat5e cabling. • RJ45 Link through connector for adding additional controllers (Maximum of two). • Three versions to suit UK, EU or US standard front panels.  
    PL12 Linework

    Features

    MIXING

    Individual mix and selectable control of all inputs to Z1 & Z2. Multiple options for configuring mix outputs to Z3 & Z4 (via internal jumpers).

    DYNAMICS

    Gain and 2 band EQ available on all mic inputs with an additional 2 band EQ available on Z1 & Z2 outputs.

    PRIMARY MIC MODE

    When audio sensed on MIC1 channel and/or PAGE contact closure is sensed then music is faded to pre-set level and MICs2-4 muted for the duration of the announcement. MIC1 zone select LEDs flash slowly when in priority mic mode.

    Gain / volume rotary controls can be removed and capped (caps supplied) to prevent unauthorised use.

    INSTALLER SELECTABLE MODES, INCLUDING:

    Primary and secondary mic modes

    Perfect for controlling hierarchal microphone feeds such as simple paging announcements.

    Emergency mic mode

    For use with 3rd party systems in emergency situations. Mutes all inputs except MIC1 on alarm contact closure.

    Juke box mode

    Provides a priority line input to the system for pre-recorded announcements or programme material such as Sports channels.  

    ADVANCED FEATURES

    Entering programming mode allows the following parameters to be adjusted:

    Ducker attenuation

    Ducker hold time

    Ducker release time

    Music crossfade time

    Jukebox hold time

    Jukebox release time

  • ME Personal Mixing System

    The ME Personal Mixing System puts the musician in control of their own monitor mix. Each performer can be given a tailored setup that works perfectly for them, whether they crave maximum control over the fine details of their mix or just want the minimum of keys to press. Operation is intuitive and elegant, with simple controls and clear visual feedback for instant familiarity. The system has earned respect for rugged reliability on the road, and of course it lives up to Allen & Heath’s reputation for exceptional audio quality.
  • World-Class Processing & FX

    It’s no secret that we have a passion - bordering on obsession - for crafting painstakingly faithful emulations of the most revered analogue outboard equipment. These processing and FX emulations are relied on by some of the best engineers in the business, and dLive puts them right under your fingertips.

    DEEP

    Trusted by platinum-selling artists on sellout tours, DEEP puts incredible emulations directly within dLive’s input and mix channels with zero latency. No burning FX slots, no 3rd party gear hassles and no issues with latency or phase coherency. And we're not resting on our laurels. With new DEEP models added in major firmware updates, our collection of studio-grade emulations keeps growing.

    Dyn8

    Dyn8 is a powerful and sophisticated processor boasting 4 bands of dynamic EQ and 4 bands of multiband compression. With endless applications including taming vocals, tightening sub-groups or adding sonic glue to a mix, Dyn8 changes the way we think about dynamic processing. dLive includes 64 Dyn8 engines for inserting on Input and Mix channels.

    RackExtra FX

    The RackExtra FX portfolio combines the pristine quality and wide choice offered by boutique plug-ins with the convenience and low latency of onboard processing. Access our proven library of reverb, delay and modulator algorithms in dLive, with 16 FX slots available, each with a dedicated stereo return.

    Dynamic Processing

    Dyn8

    AV-DYN8
    Dyn8 is a powerful and sophisticated processor boasting 4 bands of dynamic EQ and 4 bands of multiband compression. With endless applications including taming vocals, tightening sub-groups or adding sonic glue to a mix, Dyn8 changes the way we think about dynamic processing. dLive features 64 Dyn8 engines for inserting on Input and Mix channels.

    DEEP Compressors

    In addition to standard Peak and RMS compressors, DEEP delivers an arsenal of studio-grade compressor emulations - available on every channel and mix bus - with zero-latency.

    Peak Limiter 76

    1176-Black-Thumb
    Inspired by the legendary sound of two eras of one of the world's most revered FET limiting amplifiers - Peak Limiter 76 captures a sound immediately recognisable from the last 50 years of classic studio recordings.

    OptTronik

    OptTronic-Final-thumb-2
    Inspired by a legendary tube-driven, electro-optical levelling amplifier, OptTronik’s smooth, musical ‘2A-style compression makes it the perfect match for many sources, including vocals and bass guitar.

    16T

    16T-Thumb2
    Taking its sonic cues from the industry standard compressor limiter found in every live and studio rack, 16T produces tight, punchy compression with a character that is immediately recognisable.

    16VU

    16VU-Thumb
    Inspired by the performance and character of a legendary solid-state VCA compressor, the 16VU captures the spirit of this classic sound and serves it up within your dLive.

    Mighty

    Mighty-Thumb
    Inspired by a classic transistor array VCA dynamics processor, the Mighty puts aggressive compression with a unique character inside your dLive.

    Bus

    Bus Compressor
    Bus brings the sound of a fabled VCA bus compressor into your dLive. Perfect for adding sonic cohesion and glue to your mix and sub-groups.

    Opto

    Opto-Thumb
    What happens when you take the characteristics of a rack-full of highly desirable optical compressors and combine them into one killer unit? You get the Opto.

    Ben Hammond takes you through DEEP Compressors for dLive

     

    DEEP Expanders

    Expanders are a valuable tool in every engineer's toolbox, especially for reducing the risk of feedback when the vocalist ventures out in front of the mains. DEEP brings two flavours of expansion to all 128 input channels on dLive - and with zero latency.

    Source Expander

    Source Expander
    Industry standard source expansion and enhancement. Source Expander makes it quick and easy to reduce bleed and increase gain-before-feedback.

    Dual Threshold Expander

    DTE-1
    The ultimate expansion processor: Dual Threshold Expander is designed for the most challenging stage acoustics where expert control is required.

    DEEP Preamps

    100 years after their introduction to the world of audio, valves are still relied on daily by sound engineers all over the world for the vintage colour and euphonic distortion characteristics they impart upon audio signals. Our DEEP preamp emulations deliver this classic sound straight into your channel strip, and without a glowing valve in sight.

    Dual Stage Valve

    Deep_Dual-Stage-Valve
    Dual Stage Valve painstakingly models the behaviour of both pentode and triode topologies offering everything from a touch of warmth through to full-on valve crunch.

    Tube Stage

    Tube Stage
    Tube Stage enables engineers to dial-in authentic tube character, from very subtle colouration to harmonic overdrive, quicker than ever before with six presets and a simplified control set.

    RackExtra FX

    Transient Controller

    GLD-FX---Transient
    An accurate model of the industry-standard Transient Signal Processor, providing cut and boost of the attack and sustain envelopes of the input signal.

    De-Esser

    De-Esser
    Emulates the classic Auto-Threshold circuit commonly found on high end hardware units.

    Hypabass

    hypabass_large
    A sub-harmonic synthesizer used to generate infra (lower than 36Hz) and sub bass (36-70Hz) from weaker bass programme.

    SMR Live

    SMR
    A Spatial Modelling Reverberator featuring 4 fully configurable, complex spatial modes – Classic, Hall, Room and EMT.

    Gated Reverb

    Gated Verb
    An accurate emulation of the traditional 80s gated reverb effect, plus ‘panned’ and ‘powerbox’ variants.

    2 Tap Delay

    ilive2tap
    Generate separate left and right delay from a mono source, each with its own tempo.

    Bucket Brigade

    bucket_product_button
    An emulation of vintage delay units which relied on bucket brigade chips with inherent, yet desirable, signal degradation.

    Stereo Tap Delay

    stereo_tap_product_button
    A clean digital delay of up to 2.7s with control over input and feedback filters, delay width and switchable Scatter / Ping-Pong mode.

    Echo

    echo_product_button
    Faithfully models the classic tape echo including the many non-linear attributes of the original hardware.

    ADT Doubler

    adt-doubler
    Classic automatic double tracking effects: voice thickening, vintage slap back, tape delay loop emulation and more.

    Pitchdoubler

    pitchdoubler.jpg
    A fully stereo, pitch shifting doubler effect, generating the effect of additional voices from its input.

    VS1 Vocal Shift

    VS1 Vocal Shift
    A fully stereo vocal pitch shifter, squeezing two channels of high quality pitchshifting into a single effect.

    Chorus

    Chorus
    Classic analogue chorus effects from the 80’s using three stereo field emulations which can be combined to create even more variation.

    Symphonic Chorus

    symphonic-chorus
    A faithful emulation of this simple to use, frequently requested classic 80’s chorus.

    Dimension Chorus

    Dimension Chorus
     Inspired by a classic chorus based on bucket-brigade technology.

    Electric Flange

    Electric Flange
    3 emulations of classic pedal flangers – subtle airy ‘Ambient’, classic silky ‘Vintage’, and a ‘Wild’ effect.

    12 Stage Phaser

    12-stage-phaser
    Emulation of classic 12-stage circuitry creating rich textured phasing.

    Rotator

    rotator.jpg
     An extensive model of a classic rotary speaker unit.

    Dynamic EQ

    dynamic-eq
    A model of the industry standard stereo 4 Band Dynamic Equaliser.

    MultiBD3

    multiband
    3 Band Compressor designed for applications where band isolation is second to phase distortion.

    MultiBD4

    multiband4
    4 Band Compressor designed for use with high filter slopes in applications where band isolation for instrument compression is key.
  •    
  • Allen & Heath – SQ Series

    $3,999.00$6,599.00
    Built on our latest generation 96kHz FPGA XCVI core, SQ sets a new standard for compact digital mixers, delivering pristine, high resolution audio with a class-leading latency of <0.7ms.
Allen & Heath – SQ Series