Allen & Heath
- Firmly established at the leading edge of the new wave of digital consoles, dLive has rapidly earned its reputation for superior audio quality, next generation workflows, stunning FX and faithful processing emulations. dLive C Class presents dLive’s phenomenally powerful XCVI Core, DEEP processing suite and Harmony UI in a compact, portable format, making it the smart choice for corporate AV, multi-purpose venues, houses of worship, theatres and regional rental companies. dLive C Class remains true to the core dLive design mission to create a digital mixing system that makes the most sophisticated mixing challenges feel elegantly simple. From seasoned audio professional to new recruits, dLive has been crafted to allow the operator to keep their focus on the live mixing experience, not on the mixer. Now with a thriving ecosystem of apps, software, remote controllers and more, dLive C Class is fully equipped to become the centrepiece of your next project.
- The dLive S Class was created for professional touring, broadcast and prestige installations, dLive S Class has earned it's reputation for audio quality and robustness in the most complex and high-profile applications. There is something inherently thrilling about live sound. The immediacy of the direct interaction between the performers and the audience, the potential for anything to happen, the need to get it right first time – this is what makes live mixing so addictive. As the demands for more and more I/O and increasingly complex systems grow, there’s a danger of concentrating on the technology rather than the performance. Our design goal for dLive S Class was to create the ultimate mixing system, with plenty of processing and flexibility to handle the most demanding live scenarios, while at the same time giving the engineer intuitive tools to comfortably keep all that power at their fingertips, freeing them to focus on the live mixing experience.
- Whatever your I/O requirements, Allen & Heath offer a comprehensive range of I/O hardware for our digital systems - Qu, SQ, Avantis, dLive and AHM-64 - including dedicated solutions for Dante integration. Our expanding I/O range makes it easy to configure the perfect system for any application and with our 'Everything I/O' commitment, you'll see you can use our I/O products with more than one mixer series. For More Info: https://www.allen-heath.com/everything-io/
PROFESSIONAL DJ PRODUCTS
Modules
dLive provides up to 5x I/O Ports in a standard S Class system. All are 128x128 channel capable at 96kHz and independently assignable. When equipped with a M-DL-ADAPT multichannel interface, the I/O ports are compatible with most of the existing iLive / GLD audio networking cards, covering all industry standard protocols including Dante, Waves SoundGrid, MADI and Allen & Heath's own ACE.ME Personal Mixing System
The ME Personal Mixing System puts the musician in control of their own monitor mix. Each performer can be given a tailored setup that works perfectly for them, whether they crave maximum control over the fine details of their mix or just want the minimum of keys to press. Operation is intuitive and elegant, with simple controls and clear visual feedback for instant familiarity. The system has earned respect for rugged reliability on the road, and of course it lives up to Allen & Heath’s reputation for exceptional audio quality.- GR4 is a 1U rack-mounting or desktop audio mixer, providing simple yet comprehensive control of background music and paging in bars, restaurants, stores and other leisure / retail environments. Standout features include optional remote wallplates, a mic input on the front panel, plus a 3.5mm jack on the front for portable music sources.
GR4 FEATURES
Connectivity
MIC INPUTS
Four mic inputs on rear mount Phoenix connectors with MIC1 selectable to an optional front mounted XLR.LINE INPUTS
Four stereo inputs on rear mount phono connectors. An additional front mounted 3.5mm jack socket overrides input 4 phono source.ZONE OUTPUTS
Two stereo (mono selectable via internal jumper) zones on rear mount Phoenix connectors. An additional two mono zone outputs are available with mix output being selectable from internal jumpers.CONTROL
Paging and Alarm contact inputs on rear mounted Phoenix connectors allow integration with 3rd party paging stations and fire alarm systems.REMOTE
Remote control can be achieved via PL-14 Remote connected to the rear mounted RJ45 or custom/3rd party analogue remotes connected to the rear mounted Phoenix connectors.PL-14 REMOTE CONTROL
• Rotary Volume control with four source select switches. • Optional PL-5 IR remote control • Connection via standard Cat5e cabling. • RJ45 Link through connector for adding additional controllers (Maximum of two). • Three versions to suit UK, EU or US standard front panels.Features
MIXING
Individual mix and selectable control of all inputs to Z1 & Z2. Multiple options for configuring mix outputs to Z3 & Z4 (via internal jumpers).DYNAMICS
Gain and 2 band EQ available on all mic inputs with an additional 2 band EQ available on Z1 & Z2 outputs.PRIMARY MIC MODE
When audio sensed on MIC1 channel and/or PAGE contact closure is sensed then music is faded to pre-set level and MICs2-4 muted for the duration of the announcement. MIC1 zone select LEDs flash slowly when in priority mic mode.Gain / volume rotary controls can be removed and capped (caps supplied) to prevent unauthorised use.
INSTALLER SELECTABLE MODES, INCLUDING:
Primary and secondary mic modes
Perfect for controlling hierarchal microphone feeds such as simple paging announcements.Emergency mic mode
For use with 3rd party systems in emergency situations. Mutes all inputs except MIC1 on alarm contact closure.Juke box mode
Provides a priority line input to the system for pre-recorded announcements or programme material such as Sports channels.ADVANCED FEATURES
Entering programming mode allows the following parameters to be adjusted:Ducker attenuation
Ducker hold time
Ducker release time
Music crossfade time
Jukebox hold time
Jukebox release time
- AHM is a family of powerful Audio Matrix Processors supported by a comprehensive ecosystem of scalable I/O, control and Dante solutions. Designed to excel in corporate, retail, hospitality and education environments, AHM matrix processors allow integrators to quickly create systems that build from a single boardroom to a complete campus.
- XB-142 offers a host of specialised broadcast features that normally come at a much higher price, including telephone communication (telco) channels, mic channel ON switch sensing, stereo channel start/cue outputs for playback device control, automatic muting of speaker outputs and much more.XB-142 incorporates new features and styling based on feedback from the many broadcasters who have built their operations around the original XB-14. With a wealth of routing options, dual stereo channels for up to 7 stereo sources, and the addition of a dedicated Audition bus, enhanced microphone preamps and stereo channel gain range, XB-142 satisfies the demands of small radio and internet broadcasters as well as larger studios with multiple rooms. With no less than 27 logic I/O for remote control and 15 configuration switches, XB-142 is a highly flexible solution.
XB-14-2 FEATURES
SELF / PRODUCER OPERATED
Whether you need a mixer for a self-operated broadcast situation, or whether you have a separate studio and engineer, the XB series has features to fit. Separate monitor mixes can be created for operator and guests or presenter, so the engineer can check levels and cue sources while the presenter or guest can listen to a different source. The engineer/producer can communicate to the guest or presenter using the Talk feature, as well as speaking off-air with telephone callers. There is also the facility for remote control of channel mutes from the studio using the remote interface connectors – ideal for studio situated mute or ‘cough’ switches.DUOPRE PREAMPS
The XB-142 pre-amps use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge (69dB of range to be exact) and is very evenly distributed around the gain control, meaning better control of signal level. There is no “pad” switch, or pad circuit — line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket. This has the great advantage of lower noise when using the line input.USB
XB-142 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications.AUDITION BUS
The dedicated stereo audition bus can be used for auditioning or off air recording. Pressing the button marked AUD on the channels required transfers the mix from the program feed over to the audition bus.TELCO
The two Telco channels provide a selectable clean-feed output (LR PGM, Aux or Audition bus), variable high pass and low pass filters to reduce the frequency range of the channel when used with a telephone caller, and TALK button. - Built on our latest generation 96kHz FPGA XCVI core, SQ sets a new standard for compact digital mixers, delivering pristine, high resolution audio with a class-leading latency of <0.7ms.
- The Avantis is the third mixer based on our 96kHz XCVI FPGA engine. The Avantis puts all our next-generation technology in a 64 channel / 42 configurable bus console, with dual Full HD touchscreens, a super-flexible workflow with Continuity UI, extensive I/O options, add-on processing from our flagship dLive mixing system, and a rugged full metal chassis. The power of Avantis emanates from the XCVI Core – pioneered by the Allen & Heath R&D team using next generation FPGA technology, with parallel virtual processing cores generating enough power for 88×42 (including FX returns) channels of processing at 96kHz sampling rate. The massive power of XCVI (25 billion operations per second) allows Avantis to deliver 64 full processing inputs and 12 stereo FX returns, 42 bus with configurable mix architecture, variable bit depth for ultimate precision and noise performance, a virtually infinite mix headroom thanks to a 96bit accumulator, and class-leading latency at an ultra-low 0.7ms.
